{"id":503,"date":"2023-03-03T21:39:07","date_gmt":"2023-03-03T20:39:07","guid":{"rendered":"http:\/\/www.theheuch.co.uk\/Kirsty\/?p=503"},"modified":"2023-04-19T21:27:23","modified_gmt":"2023-04-19T20:27:23","slug":"tania-tutorial-notes-27th-feb-2023","status":"publish","type":"post","link":"http:\/\/www.theheuch.co.uk\/Kirsty\/uncategorized\/tania-tutorial-notes-27th-feb-2023\/","title":{"rendered":"Tania Tutorial Notes 27th Feb 2023"},"content":{"rendered":"<p>Watercolour owl has movement and has more of the felt sense of an animal moving<\/p>\n<p>&nbsp;<\/p>\n<p>Etchings of bees are from the collector\u2019s scientific gaze and have lost the phenomenological feel that earlier drawings had<\/p>\n<p>&nbsp;<\/p>\n<p>Look at photographer Anne Noble\u2019s (Wellington NZ) work \u2013 she photographs dead things but the interrogation in her work is fascinating. high-powered magnified cameras<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/SONG-STING-SWARM_ANNE-NOBLE_2012.jpeg?resize=231%2C300\" class=\"alignnone size-medium wp-image-504\" width=\"231\" height=\"300\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/SONG-STING-SWARM_ANNE-NOBLE_2012.jpeg?resize=231%2C300 231w, https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/SONG-STING-SWARM_ANNE-NOBLE_2012.jpeg?w=692 692w\" sizes=\"(max-width: 231px) 100vw, 231px\" data-recalc-dims=\"1\" \/><\/p>\n<p><a href=\"https:\/\/dphoto.co.nz\/assignment-anne-noble-ten-thousand-waking-bees\">https:\/\/dphoto.co.nz\/assignment-anne-noble-ten-thousand-waking-bees<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=funlilSvkJc&#038;t=80s&#038;ab_channel=WellingtonCityLibraries\">https:\/\/www.youtube.com\/watch?v=funlilSvkJc&amp;t=80s&amp;ab_channel=WellingtonCityLibraries<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.bartleyandcompany.art\/availableartworks\/anne-noble\">https:\/\/www.bartleyandcompany.art\/availableartworks\/anne-noble<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/nzpoetryshelf.com\/2021\/10\/06\/poetry-shelf-review-anne-nobles-conversatio-in-the-company-of-bees\">https:\/\/nzpoetryshelf.com\/2021\/10\/06\/poetry-shelf-review-anne-nobles-conversatio-in-the-company-of-bees<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Printing a swarm would be a good use of the etching process<\/p>\n<p>&nbsp;<\/p>\n<p>Avoid dinky and static<\/p>\n<p>&nbsp;<\/p>\n<p>Layer stuff up \u2013 use different shaped plates<\/p>\n<p>&nbsp;<\/p>\n<p>Retain the shamanic conversation&nbsp; &#8211; leaf green on large bee print has a sense of life about it<\/p>\n<p>&nbsp;<\/p>\n<p>Experiment \u2013 perhaps great blobs of wax<\/p>\n<p>&nbsp;<\/p>\n<p>Avoid the virtuous trap of becoming too immersed in the craft of printing<\/p>\n<p>&nbsp;<\/p>\n<p>To get paintings to become luminous \u2013 build layers on a light ground, linseed oil diluting the colour<\/p>\n<p>&nbsp;<\/p>\n<p>The deer painted by candlelight has a distorted quality \u2013 partly because the original image was captured on a small wildlife camera but the combo of natural inks, and the weird gaze is interesting<\/p>\n<p>&nbsp;<\/p>\n<p>Stone lantern with slumped glass or gold lining<\/p>\n<p>&nbsp;<\/p>\n<p>Interesting meditation space made from straw<\/p>\n<p>Look at Buckminster Fuller<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/ATLAS-OF-PLACES-RICHARD-BUCKMINSTER-FULLER-XII-WORKS-GPH-6.jpeg?resize=300%2C212\" class=\"alignnone size-medium wp-image-505\" width=\"300\" height=\"212\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/ATLAS-OF-PLACES-RICHARD-BUCKMINSTER-FULLER-XII-WORKS-GPH-6-scaled.jpeg?resize=300%2C212 300w, https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/ATLAS-OF-PLACES-RICHARD-BUCKMINSTER-FULLER-XII-WORKS-GPH-6-scaled.jpeg?resize=1024%2C724 1024w, https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/ATLAS-OF-PLACES-RICHARD-BUCKMINSTER-FULLER-XII-WORKS-GPH-6-scaled.jpeg?resize=768%2C543 768w, https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/ATLAS-OF-PLACES-RICHARD-BUCKMINSTER-FULLER-XII-WORKS-GPH-6-scaled.jpeg?resize=1536%2C1086 1536w, https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/ATLAS-OF-PLACES-RICHARD-BUCKMINSTER-FULLER-XII-WORKS-GPH-6-scaled.jpeg?resize=2048%2C1448 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/p>\n<p><a href=\"https:\/\/www.atlasofplaces.com\/architecture\/xii-works\/\">https:\/\/www.atlasofplaces.com\/architecture\/xii-works<\/a><\/p>\n<p><a href=\"https:\/\/www.bfi.org\">https:\/\/www.bfi.org<\/a><\/p>\n<p><a href=\"https:\/\/www.newyorker.com\/magazine\/1966\/01\/08\/in-the-outlaw-area\">https:\/\/www.newyorker.com\/magazine\/1966\/01\/08\/in-the-outlaw-area<\/a><\/p>\n<p><a href=\"https:\/\/www.pamono.co.uk\/designers\/richard-buckminster-fuller\">https:\/\/www.pamono.co.uk\/designers\/richard-buckminster-fuller<\/a><\/p>\n<p><a href=\"https:\/\/www.thealternative.org.uk\/dailyalternative\/2019\/5\/18\/be-inspired-by-buckminster-fuller\">https:\/\/www.thealternative.org.uk\/dailyalternative\/2019\/5\/18\/be-inspired-by-buckminster-fuller<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Play around to find a form \u2013 make maquettes \u2013 needs to be chunky \u2013 not dinky<\/p>\n<p>&nbsp;<\/p>\n<p>Tania &#8211; sculpture for Cambridge Science centre called Hive<\/p>\n<p>Printed with patchwork templates to achieve the scale quickly<\/p>\n<p>&nbsp;<\/p>\n<p>Discussion re peer workshop<\/p>\n<p>&nbsp;<\/p>\n<p>Meditation space \u2013 maquettes \u2013 suspended \u2013 bell shaped?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Watercolour owl has movement and has more of the felt sense of an animal moving &nbsp; Etchings of bees are from the collector\u2019s scientific gaze and have lost the phenomenological feel that earlier drawings had &nbsp; Look at photographer Anne Noble\u2019s (Wellington NZ) work \u2013 she photographs dead things but the interrogation in her work [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":510,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/04\/img_7587-1-scaled.jpg?fit=2560%2C1601","jetpack-related-posts":[{"id":794,"url":"http:\/\/www.theheuch.co.uk\/Kirsty\/uncategorized\/gillian-mcfarland-studio\/","url_meta":{"origin":503,"position":0},"title":"Gillian McFarland studio","date":"4 May, 2023","format":false,"excerpt":"Gillian was participating in the N Fife Open Studio so it was a great opportunity to go and see her work in person and catch up. I had loved her presentation at the Arts and Science conference at DJCAD. Her glass works are beautiful and reference cosmology and astronomy. I\u2026","rel":"","context":"In \"glass\"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/05\/img_8479-scaled.jpg?fit=1200%2C900&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":238,"url":"http:\/\/www.theheuch.co.uk\/Kirsty\/uncategorized\/multispecies-architecture\/","url_meta":{"origin":503,"position":1},"title":"Multispecies Architecture","date":"6 December, 2022","format":false,"excerpt":"Multispecies architecture After a morning of giving and listening to Grounding presentations for assessment I am exhausted. The concentration is tiring. We are all excited by the work that is emerging from the studios. There are two more presentations to go but I have to find a quiet corner to\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2022\/12\/guenther-m-natural-nest-print.jpeg?fit=625%2C618&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":147,"url":"http:\/\/www.theheuch.co.uk\/Kirsty\/uncategorized\/tutorial-with-anita-taylor\/","url_meta":{"origin":503,"position":2},"title":"Tutorial with Anita Taylor","date":"18 October, 2022","format":false,"excerpt":"https:\/\/artuk.org\/discover\/artists\/taylor-anita-b-1961 I was just a little intimidated by a tutorial with Anita - the Dean of DJCAD and the founder of Drawing Projects Uk and the Trinity Buoy Wharf Drawing Prize. Here is an attractive middle aged woman who is intelligent, succesful and a kind person (as far as i\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2022\/10\/4-Narcoleptic-2004-Anita-Taylor.jpeg?fit=500%2C666&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":55,"url":"http:\/\/www.theheuch.co.uk\/Kirsty\/uncategorized\/thursday-06-10-22\/","url_meta":{"origin":503,"position":3},"title":"Thursday","date":"6 October, 2022","format":"quote","excerpt":"7.30 yoga helped clear the knots and pains from standing on Tuesday. \u00a0 Introduction to wood workshop. Looking forward to working with the large saws, drills and sanders. Found a eucalyptus branch that I can play with \u00a0 Spent the afternoon cutting rounds from the eucalyptus and comparing to the\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2022\/10\/1FA00083-860D-47BA-86CC-02C35C301E89_1_105_c-e1666214157188.jpeg?fit=709%2C734&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":450,"url":"http:\/\/www.theheuch.co.uk\/Kirsty\/uncategorized\/hidden-histories-exhibition-at-the-mcmanus-galleries\/","url_meta":{"origin":503,"position":4},"title":"Hidden Histories Exhibition at the McManus Galleries","date":"12 January, 2023","format":false,"excerpt":"Hidden Histories McManus Galleries Dundee The Hidden Histories exhibition is currently on in Dundee\u2019s McManus Galleries and runs throughout 2023. It shows a variety of works selected from the permanent collection with a promise to consider the 20th century from differing standpoints and to discuss the question \u2013 \u2018whose lives\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2023\/01\/Screenshot-2023-04-18-at-20.00.28.jpeg?fit=640%2C281&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":144,"url":"http:\/\/www.theheuch.co.uk\/Kirsty\/uncategorized\/kate-macleod-the-impermanence-of-the-work-initiates-documentation-and-new-work\/","url_meta":{"origin":503,"position":5},"title":"Kate MacLeod &#8211; &#8216;the impermanence of the work initiates documentation and new work&#8217;","date":"18 October, 2022","format":false,"excerpt":"Thought provoking and stimulating CAP talk from KateMacLeod. Kate introduced her practice by saying that she was motivated to make work that isn't always possible. Writing about imaginary artwork as though it exists (Ekphrasis) can take down boundaries to the possible. Ekphrastic writing has the potential to hold unrealised artwork\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.theheuch.co.uk\/Kirsty\/wp-content\/uploads\/2022\/10\/F58964C1-88CF-4401-88F7-57BA51777EE8_1_105_c-e1666556482706.jpeg?fit=517%2C335&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/posts\/503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/comments?post=503"}],"version-history":[{"count":2,"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/posts\/503\/revisions"}],"predecessor-version":[{"id":509,"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/posts\/503\/revisions\/509"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/media\/510"}],"wp:attachment":[{"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/media?parent=503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/categories?post=503"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.theheuch.co.uk\/Kirsty\/wp-json\/wp\/v2\/tags?post=503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}